"Someone should stop these maniacs."
After dancing with a young woman named Marisa (Patrizia Castaldi) at a party, Paolo Germi (Claudio Cassinelli) finds that she has been murdered and he decides to investigate. With help from teenage thief Gianni (Adolfo Caruso), Paolo uncovers a human trafficking ring and takes justice into his own hands. But is the pimp really the mastermind of the operation? Is there a connection to the kidnap of a local businessman's son? How high up does this organization go? And why does Paolo have such a keen interest in this case? As a hit man with mirrored sunglasses (Roberto Posse) eliminates witnesses, Paolo and Gianni follow the clues to find the real motive behind the killings.
The Suspicious Death of a Minor is a fantastic movie that deserves a wider audience. The story by superstar giallo writer Ernesto Gastaldi walks the line between giallo and poliziotteschi - a genre characterized by a loner cop who plays by his own rules, taking down a crime syndicate. This movie features a constantly-evolving plot, a quick pace, light humor, snappy dialogue, and some top-notch action sequences. Claudio Cassinelli's Paolo is a charming rogue who looks like a bookish nerd but isn't afraid to cross some moral lines. In fact, his methods are so destructive that he could be the prototype for such loose-cannon action heros as Axel Foley and Martin Riggs.
- In a great little meta-joke, Paolo and Gianni question a witness at a movie theater that's showing Sergio Martino's own 1972 giallo Your Vice is a Locked Room and Only I Have the Key.
- If Claudio Cassinelli looks familiar, you might remember him from Murder Rock, where he played jealous, estranged husband Dick Gibson.
- The score, by Luciano Michelini, could easily be mistaken for the work of Claudio Simonetti. It has the same funky electric rock feel as the music to Deep Red.
One of the action sequences is a raucous car chase through the streets of Milan, as Paolo and Gianni are being chased by the police. Gianni literally rips the doors off Paolo's junky old car and throws them at the police car. In fact, the whole scene is full of wacky stunts and sight gags.
Another epic action scene begins with a shootout between two cars on a roller coaster, continues down the street, and concludes in the subway.
Paolo poses as a client to question a prostitute and, after getting the answers he needed, he goes ahead and gets what he paid for.
I love The Killer's plaid jacket. He could easily fit in at either a murder scene or a mid-1990's ska concert.
Mirrored sunglasses seem to be a thing among murderers. They could have been borrowed from the killer in Death Walks at Midnight.