Showing posts with label Maurice Poli. Show all posts
Showing posts with label Maurice Poli. Show all posts

Massacre


 

"Please, Jenny. Film making isn't hard. It's like a machine that marches on."

The cast and crew of the supernatural horror film Dirty Blood are using a local hotel as production headquarters. Love triangles, rivalries and backstage scheming plague the production, but star Jennifer (Patrizia Falcone) escapes the madness by spending time with police detective Walter (Gino Concori), who is investigating a recent series of murders. Director Frank (Maurice Poli) decides to host a real séance in order to give his film a sense of realism, but things take a dangerous and spooky turn and soon, members of the cast and crew are picked off by the killer in gruesome fashion. Could the killer be the scheming Assistant director, Robert (Pier Maria Cecchini)? Or jealous actress Liza (Silvia Conit)? Maybe a demon really was released at the séance and is responsible for the murders. It's up to Walter to find out!

Massacre (not to be confused with Crimes) is equal parts sexy and gory, as any good giallo should be. There's plenty of nudity and blood and even a few severed limbs to get the horror fans excited. After a gruesome opening scene, the first half of the film focuses on the soap opera relationships of the cast and crew of the film-within-a-film. Robert and Liza are scheming to seduce Jennifer in order to cause a scandal while Liza is having an affair with lead actor Jean (Robert Egon), who has a contentious relationship with cast mate Adrian (Danny Degli Espositi). But in the second half (after the séance scene), all that information goes out the window and it's full speed ahead - the killings ramp up and the film devolves into a series of stabbings in quick succession. By the time you know it, most of the cast is history and the whole thing ends on a giant question mark.

• This movie is clearly on-brand for director Andrea Bianchi, who made Strip Nude for Your Killer and What the Peeper Saw. It was also produced by the legendary Lucio Fulci, which explains the gore effects.

• You may remember Maurice Poli, who plays the Director, from Five Dolls for the August Moon.

• The "scene in a cemetery" in the checklist above turned out to be a movie set in the film-within-a-film, but it still counts. 

• In one scene, a policeman reports that they entered all the evidence of the murders into a computer, which concluded that they're actually dealing with two killers. The police laugh at the absurdity of this, but the computer turns out to be correct.

What the Hell Am I Watching?

 In the opening scene, the killer effortlessly dismembers a prostitute with a small hatchet like she was made of Play-Doh.

Midway through the film, Adrian puts on a show for the camera, impersonating Joel Gray, Liza Minelli, Marilyn Monroe and Marlene Dietrich. I am dying to know how any of this fits into a movie about demon rituals.




The craziest moment in this movie is obviously the séance scene, wherein Madame Yurich's face contorts and inflates as she howls and gets blown back by a gale-force wind.

Fashion Moment:

Here's a moment where a movie about making movies pays homage to a classic movie:

 Also, I love the glam silver lamé gown Jennifer gets to wear in the demon ceremony scene. Very Dana Barrett.






Five Dolls For an August Moon



Five Dolls For an August Moon
"Only murderers kill."

Wealthy industrialist George Stark (Teodoro Corrá) has invited friends to his remote island estate for a reunion and the group includes Professor Fritz Farrell (William Berger), who has just developed an innovative new formula for an industrial resin. But while the other guests fall over themselves to invest, Fritz isn't taking any offers. When the party becomes stranded on the island and people start turning up dead, it's clear that someone is willing to kill for the money or the formula – or both.  Could it be the Professor's wife, Trudy (Ira Von Fürstenberg) who is having an affair with George's wife, Jill (Edith Meloni)? Or perhaps it's Nick Cheney (Maurice Poli) and his wife Marie (Edwige Fenech), who aren't averse to using their open relationship to get what they want. A killer is on the loose and no one is safe!

Five Dolls For an August Moon (not to be confused with Blue Eyes of the Broken Doll) is based on Agatha Christie's Ten Little Indians. It's a solid formula worthy of repetition but, alas, Mario Bava brings little innovation to his version. It's not particularly sexy or bloody and we seldom see the kills - just people discovering the bodies, which is sadly anticlimactic. None of the characters show any passion in their greed and, to be honest, the storyline with the secret formula is kind of dull. If you're interested in a much better version of the same story, I recommend Nine Guests For a Crime. What Five Dolls does have, though, is style to burn. The clothes and the sets and the swanky modern opulence of the movie are undeniable. I like to think of Five Dolls, with its large cast and complex criss-cross of motives as Bava's warmup for his next film, the much better Bay of Blood.
  • This movie was released in Italy on Valentine's Day 1970.
  • Rumor has it that the production was so rushed that Bava started shooting three days after agreeing to direct. The whole shoot took 19 days.
  • This was Edwige Fenech's first giallo.
What the Hell Am I Watching?

Perhaps the coolest thing in the movie is that the guests decide to store the dead bodies in the kitchen's meat freezer. So we're repeatedly treated to the sight of bloody bodies in plastic bags slowly filling up the crowded little room over the course of the film.

With all the similar-looking faces and a lack of contrasting characterization, it gets a little confusing telling people apart. Adding to the confusion: there's a character called Jack and a different character called Jaques.

Pentathol bullets? Is that a thing? Is that even possible?

Fashion Moment

This is the real reason to watch the movie. Crazy costumes abound, with psychedelic gowns, foppish ascots, gold lamé bell-bottoms, and unbuttoned satin disco shirts billowing in the breeze. One of my favorites is this strange white bikini, modeled by Edwige Fenech.


Also, the beautiful cliff-side house itself, with sleek modern architecture contrasts nicely with its rocky surroundings.