Showing posts with label Maurizio Pradeaux. Show all posts
Showing posts with label Maurizio Pradeaux. Show all posts

Death Steps in the Dark

 

Death Steps in the Dark

"It's easy to see you're new at this business. You're useless!"

Italian photographer Luciano Morelli (Leonard Mann) and his Swedish model girlfriend Ingrid Steimosson (Vera Krouska) are on the Istanbul-Athens express train when suddenly the lights go out and one of the passengers in their car is murdered. Luciano's letter opener was used as the murder weapon, making him the chief suspect. On the run from the Inspector (Robert Webber), Luciano must now prove his innocence. Meanwhile, Raul (Nikos Verlekis) and his girlfriend Ulla (Susy Jennings) saw the murderer flee the crime scene and picked up a glove that was dropped. They decide to blackmail the murderer but are they putting their own lives in jeopardy? Could the killer be the old priest (Antonio Maimone)? And can Luciano and Ingrid find the killer and clear his name?

Death Steps in the Dark (not to be confused with Death Walks in High Heels) is a fun little giallo with some creative murder scenes, a heist element, and comic elements to keep things light. Unfortunately, the identity of the killer and the motive are never foreshadowed, making it impossible to guess the identity before the final reveal.
  • Death Steps in the Dark is the work of Maurizio Pradeaux, who also wrote and directed Death Carries a Cane. Besides both being gialli and having similar Italian titles (Passi di Danza Su una Lama di Rasoio and Passi di Morte Perduti Nel Buio) the two films are otherwise unrelated.
  • The third act of the movie involves a heist plot, where Luciano, Ingrid, and two novice criminals break into a house to steal a gold statue. Wackiness ensues.
  • SPOILER ALERT: So it turns out that the Inspector knew Luciano was innocent the whole time, but forced Luciano on the lam to do his job for him and solve the case. He's not only inept, he's also a huge jerk. 
  • SPOILER ALERT:  Raul and Ulla know who the killer is throughout the film and repeatedly use the pronoun "he," but by the end of the movie, we discover that the killer is, in fact, a woman. It seems to me that they could have worked around that better.

What the Hell Am I Watching?

Ingrid takes the stock character of the "vapid fashion model" to new and infuriating heights. I realize that she is intended to be comic relief, but she nearly gets her boyfriend killed or arrested several times and bungles things at every turn. It's a miracle that she made it through the movie un-slapped.

Ingrid's idea of a "fashion show" is swanning around for five minutes in a green evening gown. There are no other models or dresses involved.

There's a fantastically gruesome part where, through a series of events, Ulla turns on the water in her bath and blood pours out.

Fashion Moment

In what I'm sure is not his finest hour, Luciano hides from the Athens police by disguising himself in drag.


  

Death Carries a Cane


 Death Carries a Cane

"You know, Kitty, I think you read too many detective novels."

While showing relatives the sights in Rome, photographer Kitty Hoffman (Neves Navarro, credited as Susan Scott) witnesses a brutal murder through an observation point telescope. Though she can't make out the killer's face, she does notice a few important details  – including the fact that the killer walks with a cane. As Kitty and her husband Robert (Alberto Marosini) are working on a musical revue with composer Marco (Simon Andreu), she continues to follow the case as more young women and witnesses to the crimes are murdered. Inspector Merughi (George Martin) and Marco's girlfriend, reporter Lidia Arrighi (Anuska Borova) are also keen to solve the case. What do the victims have in common? Does he know that Kitty was a witness – and if so, is her life in danger?

Death Carries a Cane is a classic-style giallo with several bloody murders, a twisty plot, a black-clad killer, a little humor, and lots of completely gratuitous sex scenes. I only wish it had a better resolution. The opening is a clever take on Hitchcock's Rear Window, though. It should be noted that Anuska Borova plays both good-girl reporter Lidia Arrighi and her twin sister, the petulant Silvia Arrighi. Most of the time, Lidia wears glasses, but sometimes it's difficult to tell who we're looking at.
  • The original Italian title is Passi di Danza su una Lama di Rasoio, which literally translates as Dance Steps on a Razor Blade.
  • The clues lead to a Russian dance academy, which I'm counting as an "All-girl school."
  • Though we don't see it, the murder of an Australian ballerina occurs before the action of the movie starts. It's included in the body count above.

What the Hell am I Watching?

Two words: glitter bewbs.

In one completely baffling scene, Marco is distraught over the death of a dancer from his show and he mournfully plays her song on the piano. Things turn weird when Lidia arrives and the two start making the sexy eyes at each other. Nakedness ensues.

The film's big comic moment comes when Kitty agrees to lure the killer out by pretending to be a hooker. When a suspicious cane-wielding John picks her up the police swarm in... only to discover that the man is the Chief of Police.

What kind of grown-ups use the word "toodle-oo" to say goodbye?

Before (and during) a break-in at the dance academy, Kitty takes a pee-break. And we just sit around and wait until she's done. There is no reason for this to have been included in the movie.

Fashion Moment

This purse turns out to be an important way to lure the killer out of the shadows.