Showing posts with label Marisa Fabbri. Show all posts
Showing posts with label Marisa Fabbri. Show all posts

Weekend Murders


Weekend Murders

"Aren't they just too revolting, these family reunions?"

Henry Carter, 2nd Earl of Vale has died at his lavish country estate in Suffolk, England and his relatives have all gathered for the reading of his will. A few token odds and ends are allotted, but the vast majority of the Earl's wealth goes to his niece, Barbara (Anna Moffo), who cared for him in his old age. The rest of the greedy family is naturally upset but things get serious when the butler, Peter (Ballard Berkley), turns up dead and a sniper's bullet barely misses Barbara's head. Inspector Grey (Lance Percival) is called in from Scotland Yard and, assisted by bumbling local constable Aloisius Thorpe (Gastone Moschin), sets out to solve the case. But over the course of the next few days, more people turn up dead and family secrets are revealed. Could the murderer be George (Chris Chittell), the prankster with a morbid sense of humor or his shrewish mother, Aunt Gladys (Marisa Fabbri)? Maybe it was Anthony Carter (Peter Baldwin) whose wife, Isabelle (Ida Galli, credited as Eveline Stewart) is having an affair?  Grey and Thorpe must find the killer fast!

Weekend Murders features elaborate pranks, physical comedy, and a wacky score by Francesco De Masi that parodies Tchaikovsky. There's no blood, only brief nudity and sexy scenes, and, really, it's closer in tone to cozy English whodunnits or the 1985 comedy Clue than to more conventional gialli. But it's still a fun little movie, especially after the halfway point, when Sargent Thorpe stops being annoying and becomes a competent detective. The final reveal – in a scene where the suspects are gathered and the murderer is pointed out – turns out to be delightfully ingenious.

  • The movie starts with the discovery of the third body and then flashes back to the previous Wednesday to fill in the story.
  • The title "sort of" makes sense because the murders take place over more than a weekend. 
  • The musical references to Tchaikovsky, punctuated by gunshots, make more sense with the original Italian title, Concerto Per Pistola Solista or Concerto For Solo Pistol.
  • Even though we never meet him and he dies of natural causes before the movie starts, I'm including Henry Carter's death in the body count above.
  • The ending of the movie is ambiguous, but I'm going to be optimistic and count it as a "fake murder."
  • You may remember Marisa Fabbri as the maid in Dario Argento's Four Flies On Gray Velvet. You may also remember Beryl Cunningham as the stripper in So Sweet... So Dead.
  •  English actor Lance Percival performed the voices of Paul and Ringo in the animated TV series The Beatles well as in the 1968 film Yellow Submarine.
 What the Hell Am I Watching?

Uppity Aunt Gladys nearly has a stroke when he meets her nephew's new wife – African-American Pauline Collins (Beryl Cunningham).

There's a crazy scene with a rape gone bad... but it's not what you think. George, wearing a mask, breaks into the maid's room to rape her, but she just laughs and says that he should have just asked. At this point, George has guilt-induced visions of his overbearing mother and flees screaming from the room.

Later – less than 24 hours after her husband is gunned down by the killer – George approaches Pauline and clumsily puts the moves on her. "Why not?" she says, as the two disappear into her room.

Fashion Moment

We're dealing with moneyed English elite here, so the clothes are impeccable... but super-boring.  It's Pauline, already an outsider in her new family, who stands out further with some flashy, trendy fashion choices.


She wears a colorful sweater, miniskirt, and thigh-high patent leather boots to the reading of Henry's will.


At dinner, she goes for this dramatic Seven Year Itch-inspired gown and blonde wig.


Mourning the death of her husband, she sports this striking white fringe coat, reminiscent of angels' wings.

 

Four Flies on Gray Velvet



Four Flies on Gray Velvet

"I think someone is trying to drive you crazy before finally killing you."

Roberto Tobias (Michael Brandon) is a young rock drummer living in Rome with his wife, Nina (Mimsy Farmer). When Roberto notices a strange figure in black spying on him, he follows the man into an abandoned theater to confront the stranger. Suddenly the stranger pulls a knife, there's a struggle, and the man in black is stabbed and falls into the orchestra pit, dead. It's then that Roberto sees a figure high in the balcony wearing a doll mask, taking photos.  Days later, Roberto receives the dead man's ID card in the mail, then photos of the struggle, and menacing notes from the doll-masked stranger – but no blackmail demands. Roberto hires private detective Gianni Arrioso (Jean-Pierre Marielle), but anyone who gets too close to the truth is suddenly murdered. It seems that the murderer is closer than anyone suspects!

After The Bird with the Crystal Plumage and Cat O'Nine Tails, Four Flies on Gray Velvet is the third installment of Argento's "Animal Trilogy," a series of unrelated gialli that only have animal titles as a common link. This one has style to burn, full of crazy camera angles, macro lens shots, a youthful aesthetic, and of-the-moment music cues, courtesy of Roberto's rock band and composer Ennio Morricone. The action starts in earnest as Roberto runs into a theater, parting the red velvet curtains in the doorways, and literally "opening the curtain" on his story (an effect Argento would repeat Deep Red and Opera). Sadly, the stylish direction overcompensates for a weak script which ultimately makes no sense. One of Argento's great strengths, though, is that he understands the need for a rhythm of tension and release throughout a film. And in this case, he throws in quite a few light moments, courtesy of Godwin (Bud Spencer), The Professor (Oreste Lionello, in top form), the slapstick antics of the Postman (Gildo DiMarco), the gay detective, and a visit to a coffin designers' expo.
  • Four Flies on Gray Velvet is the least-known of Argento's early films, because it wasn't available on DVD until 2009.
  • A poster for Four Flies on Gray Velvet appears in the lobby of the theater in the horror film Demons.
  • The opening credits are creepily interrupted by a pulsing heart against a black background – an effect Argento would repeat in Susperia.
  • Roberto and Nina live on "Via F. Lang. " As in "Fritz Lang." As in the German silent film pioneer who created the expressionist horror masterpiece Nosferatu.
  •  I want Gianni's eye-shaped door handle. And I want Roberto's contoured steel phone
  • Nina's cousin Dalia is played by Francine Racette, whom you may know as Donald Sutherland's wife and Kiefer Sutherland's stepmother.
  • Roberto has recurring nightmares of a prisoner getting beheaded. Since it's just a dream, I counted it as a "fake murder."
  • Jean-Pierre Marielle's detective Gianni Arrioso is one of my favorite giallo characters. I wish he could have had a spin-off TV series. Somebody get on that.
What the Hell Am I Watching?

 We're introduced to the character God (short for "Godwin") with a sudden Alleluia chorus. It's just a crazy, random moment. Oh, and Godwin has a parakeet named "Jerkoff."

Let's talk about naked bath time. When Nina flees for her safety, cousin Dalia draws Roberto a bath and gives him a neck massage. After some weak protests, she succumbs to his charms and ends up in the tub with him, sharing some adult time. This is the film's only sexy scene.

At the end of the film, the murderer gets a long speech, revealing the reasons for killing everyone. This isn't a monologue as much as it is an aria, and the actor really lets loose, taking it way over the top into an unhinged, lunatic rant. Some of the lines in this speech weren't dubbed into English, and on YouTube they're not subtitled. But you're not missing much – just a little more shouting about daddy issues and living in an asylum.

There are some beautifully staged kill scenes in this movie. My favorite is defined by a brilliant sense of rhythm. The following events occur quickly and at a steady beat:
  1. Surprise knife to the forehead
  2. Fall down the stairs. BAM BAM BAM BAM BAM BAM BAM
  3. Scream
  4. Bloody knife glints in the light
  5. Stabbed in the chest
My other favorite kill scene is the slow-motion car wreck that finishes the movie. It is stunningly beautiful, set off by Ennio Morricone's haunting score.

Fashion Moment

A Wardrobe Assistant (Giovanni Viti) is credited, but not a Costume Designer. It's a shame, because someone got Roberto's cool-casual 70's rock star wardrobe exactly right. Lots of fitted shirts, T's, and tight jackets.  But you gotta love Gianni in his swanky double-breasted suit. You can tell that times are a little lean for him, because it's just slightly too big.


Honorable mention goes to Nina's pendant necklace, which provides a vital clue in the case.