Showing posts with label Ricardo Freda. Show all posts
Showing posts with label Ricardo Freda. Show all posts

Double Face


  
Double Face
 
She's just like her mother... rich, moody, wicked.
 
Shortly after marrying his wife, Helen (Margaret Lee), John Alexander (Klaus Kinski) discovers that she is having an affair with her friend Liz (Annabella Incontrera), but divorce would mean financial ruin. Despite this, John is distraught after Helen is killed in a car crash and when he finds a strange but flirtatious woman, Christine (Christiane Krüger) in his home, he is in no mood for games. But when Christine shows John a sexy movie featuring herself with a mysterious veiled woman, John becomes obsessed - the other woman is wearing Helen's ring and has the same scar on her neck as John's late wife! If the film was made just a week before, does that mean that Helen faked her death? Or has John's grief made him lose his grip on reality? Either way, his search for answers will lead him on a dangerous path!
  
Double Face (not to be confused with The Double) treads the same ground as some other, more widely-known gialli and I'd say that while it's more coherent than Spasmo, it's not nearly as well-made as Perversion Story. Even though the body count is low, the mystery is baffling and the nudity is abundant, making this an eminently watchable bad movie. 

  • The script, based on the novel "A Face In the Night" by Edgar Wallace, was co-written by Lucio Fulci (which may explain some resemblance to Perversion Story).
  • Luciano Spadoni, who plays Inspector Gordon, was also the set and costume designer in this production.
  • Two years after this production, Klaus Kinski, Annabella Incontrera and Margaret Lee would reunite on screen in Slaughter Hotel.
  • None of the titles really make sense. "Double Face" would make more sense if there was a Vertigo-esque identity switch and the lesbian affair is a minor sub plot, making "Liz & Helen" just as out of place. The title "Puzzle of Horrors" belongs on a film with more gore and far more murders.
 
What the Hell Am I Watching?

What Double Face lacks in good writing it makes up for in crazy moments. For example, the wild hippie warehouse party where two motorcyclists have an indoor jousting tournament, ripping off an article of clothing from a dancing girl with each pass.

Then there are the hilariously inept special effect sequences, which cut from footage of real cars and trains to HO-scale models crashing into each other.

Something that confused me from the start: John is trapped in his unhappy marriage with Helen because of financial necessity, but what advantage does Helen gain in staying married to John? Why does she insist that they stay together?

Finally, who handcuffs a suspect without frisking him for weapons first?

Fashion Moment

In the scene preceding Helen's car crash, we see that she's ready to shuffle off this mortal coil in high style, wearing a chic white dress, gold chain belt, go-go boots and a rich oiled leather coat draped over her shoulders.

    
Later, Liz vamps it up with some Elizabeth Taylor realness in this sexy off-the-shoulder low-cut fringe number.  Perhaps her shredded white dress is worn in memory of her dead lover?
 
  

Murder Obsession

 

Murder Obsession

"There's nothing to be afraid of now. A stringe bond exists
between the two of us. Nothing seperates us."

Actor Michael Stanford (Stefano Patrizi) has been haunted his whole life by the guilt of murdering his father - an event he repressed since childhood and only barely remembers. So when Michael invites his girlfriend Debra (Silvia Dionisio) and some cast and crew members of his latest movie for a relaxing visit to his childhood home, seeing his mother Glenda (Anita Strinberg) stirs up dark memories. And things get even worse when the weekend guests start turning up dead. Could Michael be blacking out and murdering people in a fugue state? Or was it Oliver (John Riehaudson), the creepy butler? Was Debra really kidnapped and forced to participate in a Satanic ritual or whas that a dream? And did Michael really kill his father all those years ago?

Murder Obsession (which sometimes goes by the title Fear) takes us through a lot of anticlimactic false starts before it starts rolling. And when it does, it becomes clear that the plot is a collage of ideas from other, better movies. The attempted murder of Beryl (Laura Gemser) in a bathtub echoes that of Mizar Harrington in The Case of the Bloody Iris; a woman is attacked by bats like in Lizard in Woman's Skin; the was-it-or-wasn't-it-a dream sequence Satanic ritual is reminiscent of Rosemary's Baby; Debra runs through a forrest at night in the rain in the style of Susperia; We get flashbacks from three different points of view on Michael's father's death in a hamfisted attempt to make this a giallo Rashomon. And, of course, the dark candle-lit mansion, murky dungeons, and shoehorned-in elements of black magic, psychic powers, and magic talismans come from the world of gothic horror.
  • The ghostly footprints appearing on the dusty staircase (a la Paranormal Activity) is a cool effect.
  • Neither Glenda's nor Oliver's explanation for Michael's father's death makes any sense. But Oliver's makes slightly more sense.
  • The ending of the movie is left a little ambiguous. The killer is revealed, one character is mortally wounded (I've counted it as a death in the body count, above), and another character screams right before we cut to credits (I didn't count that one as a death).
  • This movie has gone by six different English titles over the years and not a single one of them (except maybe Satan's Altar) relates to the movie.
What the Hell am I Watching?

What's the inverse of an Oedipal complex? Because that's something that happens in this movie. Glenda's reunion with Michael is slightly unsettling and it just gets weirder from there.

Fashion Moment

Movie star Beryl is looking fantastic in this richly-embroidered white silk kimono.


Also, the movie brazenly re-creates one of the greatest works of Western art: Michaelangelo's Pieta.