Showing posts with label Giancarlo Giannini. Show all posts
Showing posts with label Giancarlo Giannini. Show all posts

Libido




Libido

"Not like my father! My god! Not like my father!"

As a child, Christian (Giancarlo Gianni) witnessed his father kill a blonde woman before hurling himself off a cliff. Now, many years later, Christian has returned to the house for the first time, accompanied by his wife, Helene (Dominique Boschero), the caretaker Paul (Luciano Pigozzi) and Paul's ditzy blonde wife, Brigitte (Mara Meryl).  Christian's guests are all on edge, unsure weather his return will stir up dark, traumatic memories and slowly but surely, Christian seems to lose his grasp on reality. He sees ghostly figures in the dark, chases phantom footsteps and swears that his dead father is in the house. Is the manor haunted by Christian's father? Or is Christian being gaslighted in an effort to steal his inheritance? If so, who is mastermind behind such a devious plan? 

Libido (not to be confused with the crime thriller In the Folds of the Flesh, which is sometimes also known as Libido) is a very early giallo and one of the first written by Ernesto Gastaldi, the man whose credits read as a list of the greatest gialli ever made and who created the template for the slasher film with TorsoLibido starts as a Psycho-style psychological thriller, introduces elements of gothic horror (thunderstorms, an old castle, muddy footprints, etc.) and finishes with a string of devious cons, double-crosses and mis-directs, ramping up the action all the way to the end. Gastaldi was clearly a fan of Mario Bava but also learned a lot from the French classic Diabolique.

  • You may know Giancarlo Gianni from his roles in Casino Royale and A Quantum of Solace. Dominique Boschero would appear in several other gialli, such as Who Saw Her Die? And giallo superstar Luciano Pigozzi - the "Italian Peter Lorre" - was featured in the classics Blood and Black Lace and Naked You Die.
  • This was the first directorial effort for both Gastaldi and co-director Vittorio Salerno.
  • Please note that the 2nd death listed above - Christian's father - is one that's talked about but not shown.
  • The movie opens with a Freud quote defining the concept of "libido" in clinical terms, but that provocative title doesn't really suit this mostly buttoned-up production.
 What the Hell am I Watching?

Libido may not be very well-known, but it turns out to be a highly influential giallo movie. If you're already a giallo fan, you will be shocked by the opening scene: Christian, as a young boy, is dressed in a short-pants suit with knee socks playing with a mechanical toy that plays a creepy sing-songy tune. He hears a scream and witnesses a murder, scarring him emotionally for the rest of his life.


Sound familiar? There's no way that Dario Argento didn't have this scene in mind ten years later when he wrote the beginning of Deep Red.

Also, the rest of the movie involves a psychologically unbalanced man named Christian who holes up in a cliffside mansion with a blonde woman, an older caretaker and the caretaker's bubbleheaded younger wife.  I'd say that's also a pretty good description of the middle third of Spasmo.

Fashion Moment

Brigitte is young, adventurous, and clueless about social cues, so her fashion sense tends to be a little daring. In one memorable scene, the camera leers as she dances the hula, wearing only black underwear and a feather boa.


Later, Helene's eyes nearly pop out of her head when Brigitte reveals this tiny pusstcat bikini.


But she does glam it up later with this elegant evening look.



As a side note, here's the musical toy that sets Christian off. He says it's Jiminy Cricket, but there's no way that's not Mr. Peanut.



Black Belly of the Tarantula


Black Belly of the Tarantula

"As long as I'm free I can look for the murderer my own way."

Inspector Tellini (Giancarlo Giannini) is on the trail of a sadistic killer who first paralyzes his victims with an acupuncture needle before taking his time, slicing them open with a knife. The investigation leads Tellini to a cocaine smuggling ring and a blackmail operation. But how are the victims involved and what connects the crimes? Could the first victim's uncooperative husband (Silvano Tranquilli) be the killer? And who is the mysterious woman (Claudine Auger)  who shows up at every crime scene? As Tellini gets closer to uncovering the mystery, he and his wife, Anna (Stefania Sandrelli) find themselves in a dangerous game of cat and mouse. Will this case destroy the Inspector before he can bring the killer to justice?

Black Belly of the Tarantula is a really solid giallo with some interesting turns and red herrings. The sexy parts don't seem forced or gratuitous, but rather, are integrated nicely into the story – the investigation takes Tellini to a women's day spa, so there's a valid excuse for nudity.  There's a lot of great action, thanks to a rooftop chase scene and an attempted murder involving a staged car accident. The first kill of the movie is one of the most stylish giallo murder scenes ever. We see the black-coated killer struggle with his victim in silhouette, slowly drive the needle into her neck, and then cut into her belly with lots of thick blood. It's just a really well-crafted piece of filmmaking. Director Paolo Carara is best known for his exploitative shock documentaries, like Mondo Cane and, while that experience is evident in the gory first murder, Carara shows tasteful restraint throughout Black Belly of the Tarantula. Still, with a plot that hinges on such great elements as cocaine smuggling and blackmail, the ending is a giant letdown. It turns out that the killer's motivation (while it does make "giallo sense") was never foreshadowed, so the viewer has no chance of guessing the identity of the killer ahead of time.
  • The day spa and the Zani home both have the same weird-looking modern telephone. I suspect that props were re-purposed.
  • The killer stalks his second victim through a shop filled with mannequins – an homage, no doubt, to Blood and Black Lace.
  • This is one of those "giallo all-star" productions, featuring a lot of familiar actors: Claudine Auger (Bay of Blood), Barbara Bouchet (Don't Torture a Duckling), Rosella Falk (Seven Blood Stained Orchids), Silviano Tranquilli (The Bloodstained Butterfly), Annabella Incontrera (The Case of the Bloody Iris), Barbara Bach (Short Night of the Glass Dolls), and Eugene Walter (The Pajama Girl Case).
  • There are also a lot of James Bond connections in this film. Bouchet, Bach, and Auger were all Bond girls and Giancarlo Giannini would appear in 2006's Casino Royale.

What the Hell am I Watching?

Photos and film are confiscated from the blackmailer's home and the police detectives sit down in a theater to watch the footage – including a surveilance film of Tellini and his wife enjoying some grownup time.

The title sort of makes sense, but only as a weak metaphor. At one point in the movie, a forensic scientist makes an analogy between the killer's methods and that of a wasp, paralyzing its arachnid victim before killing it.

Fashion Moment:

The wardrobe in The Black Belly of the Tarantula is pretty bland, everyday stuff.  But Laura's sea foam green coat and navy hat with matching gloves stands out in a sea of neutrals, as Tellini chases her down the street.