Showing posts with label Spasmo. Show all posts
Showing posts with label Spasmo. Show all posts

Libido




Libido

"Not like my father! My god! Not like my father!"

As a child, Christian (Giancarlo Gianni) witnessed his father kill a blonde woman before hurling himself off a cliff. Now, many years later, Christian has returned to the house for the first time, accompanied by his wife, Helene (Dominique Boschero), the caretaker Paul (Luciano Pigozzi) and Paul's ditzy blonde wife, Brigitte (Mara Meryl).  Christian's guests are all on edge, unsure weather his return will stir up dark, traumatic memories and slowly but surely, Christian seems to lose his grasp on reality. He sees ghostly figures in the dark, chases phantom footsteps and swears that his dead father is in the house. Is the manor haunted by Christian's father? Or is Christian being gaslighted in an effort to steal his inheritance? If so, who is mastermind behind such a devious plan? 

Libido (not to be confused with the crime thriller In the Folds of the Flesh, which is sometimes also known as Libido) is a very early giallo and one of the first written by Ernesto Gastaldi, the man whose credits read as a list of the greatest gialli ever made and who created the template for the slasher film with Torso.  Libido starts as a Psycho-style psychological thriller, introduces elements of gothic horror (thunderstorms, an old castle, muddy footprints, etc.) and finishes with a string of devious cons, double-crosses and mis-directs, ramping up the action all the way to the end. Gastaldi was clearly a fan of Mario Bava but also learned a lot from the French classic Diabolique.

  • You may know Giancarlo Gianni from his roles in Casino Royale and A Quantum of Solace. Dominique Boschero would appear in several other gialli, such as Who Saw Her Die? And giallo superstar Luciano Pigozzi - the "Italian Peter Lorre" - was featured in the classics Blood and Black Lace and Naked You Die.
  • This was the first directorial effort for both Gastaldi and co-director Vittorio Salerno.
  • Please note that the 2nd death listed above - Christian's father - is one that's talked about but not shown.
  • The movie opens with a Freud quote defining the concept of "libido" in clinical terms, but that provocative title doesn't really suit this mostly buttoned-up production.
 What the Hell am I Watching?

Libido may not be very well-known, but it turns out to be a highly influential giallo movie. If you're already a giallo fan, you will be shocked by the opening scene: Christian, as a young boy, is dressed in a short-pants suit with knee socks playing with a mechanical toy that plays a creepy sing-songy tune. He hears a scream and witnesses a murder, scarring him emotionally for the rest of his life.


Sound familiar? There's no way that Dario Argento didn't have this scene in mind ten years later when he wrote the beginning of Deep Red.

Also, the rest of the movie involves a psychologically unbalanced man named Christian who holes up in a cliffside mansion with a blonde woman, an older caretaker and the caretaker's bubbleheaded younger wife.  I'd say that's also a pretty good description of the middle third of Spasmo.

Fashion Moment

Brigitte is young, adventurous, and clueless about social cues, so her fashion sense tends to be a little daring. In one memorable scene, the camera leers as she dances the hula, wearing only black underwear and a feather boa.


Later, Helene's eyes nearly pop out of her head when Brigitte reveals this tiny pusstcat bikini.


But she does glam it up later with this elegant evening look.



As a side note, here's the musical toy that sets Christian off. He says it's Jiminy Cricket, but there's no way that's not Mr. Peanut.



Spasmo


Spasmo

"It's all so absurd, meaningless. But what's absurd is dangerous."

When Christian Bauman (Robert Hoffman) and his girlfriend Xenia (Maria Pia Conte) discover an unconscious woman named Barbara (Suzy Kendall) lying on a rocky stretch of beach, it's only the beginning of a bizarre series of events. Christian starts an affair with Barbara at a hotel, but while he's getting ready in the bathroom he's attacked by a thug in a black suit (Dario Argento look-alike Adolfo Lastretti). During the struggle, the attacker's gun goes off, killing him, but upon returning, Christian finds that the body is gone. Christian and Barbara then hide out at a seaside castle, where they encounter an old man named Malcom (Guido Alberti) and a young woman named Clorinda (Monica Monet), who seem strangely familiar to Christian. Soon, the killer returns to stalk the castle's residents. Was he sent by Barbara's jealous boyfriend, Alex (Mario Erpichini)? Or by Christian's brother, Fritz (Ivan Rassimov)? And who is staging murders in the woods with life-sized rubber mannequins? Nothing is as it seems as Christian tries desperately to untangle the mysteries that surround him.

Spasmo (not to be confused with the giallo Orgasmo, which, in turn, is not to be confused with Trey Parker's super hero comedy Orgazmo) is a big sweaty fever dream for its entire first hour.  It follows an incomprehensible, disjointed story line, features absurd, wooden dialogue comprised largely of non-sequiters, and has characters whose actions have no basis in reality. It's like ten different screenwriters each wrote five pages on their own, which were then shuffled up and filmed. Things come together in the last 30 minutes and, though it's never completely coherent, at least it attempts to explain the preceding story elements and draw the film to a reasonable conclusion. This movie is cocoanuts.
  • The title is as meaningless and incomprehensible as the plot and Ennio Morricone's dissonant, chaotic score captures the lunacy well.
  • Ivan Rassimov, who is billed third, doesn't show up until over an hour into this 93-minute movie.
  • After two scenes, Xenia disappears from the movie. This is never explained.
  • I do appreciate how the movie comes full circle, with a body on the beach.
  • Four of the six fake murders are committed on rubber dolls.
What The Hell Am I Watching?

The dialogue in this movie is bonkers.  Before heading to a hotel for their rendezvous, Barbara asks Christian to shave off his beard. He politely offers to rape her in the car instead and she laughs it off like he's just said something charming. WHAT?

Later, when Christian stumbles out of the bathroom with a gun in hand after apparently murdering a random attacker, Barbara reacts by asking "What's the matter?" instead of "OH MY GOD WHAT ARE YOU DOING WITH A GUN?"

On the lam, late in the movie, Christian hitchhikes with a young woman who tells him "You remind me of a dying chicken." Have I been taking crazy pills? WHAT DOES THAT MEAN?

For most of her time on screen, it's unclear weather or not Clorinda is a robot.

Fritz has edited together a very specific set of home movies for the end of the film. Why would you want to watch Super-8 footage of your father's funeral? Or document your trip to the insane assylum? Weird!

Here's a Spasmo drinking game: drink every time some exclaims "Look!"

Fashion Moment

The Killer (whose name, we later learn, is Tatum) wears this black suit with a red shirt. It's basically a standard-issue hitman uniform.


Later, once the movie turns a corner, Christian puts on the suit, taking over the tough guy role.